The Residents entered the world of electronic synthesis in the 1970s during a time of legendary exploration and growth. When pioneers like Robert Moog and Don Buchla were creating analog
synthesizers that were finally affordable for the masses, The Residents eagerly became one of the earliest groups to embrace the new technology.
While recording The Bunny Boy album, The Residents employed an arsenal of digital synthesis equipment. However, when the time came to score the Internet series, the mood of the series seemed to call for the older analog synthesis that they had not used in decades. Enthusiastically unwrapping their older instruments, the group soon discovered that, other than the occasional and humorous oscillator drift, the instruments all worked perfectly. Of course, being out of tune was not considered a problem.
To supplement their own collection, composer Charles Bobuck turned to old friends who had also kept some of their original analog units. Then, combining their new analog experiments with organic location recordings from their collection, Bobuck quickly contrapted these soundscapes to support the darkly humorous images found in The Bunny Boy videos.
The Residents had come full circle, and again experienced the pains and joys of broken patch cables
and dirty pots.
released October 11, 2008
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